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"Wood Properties Affecting Finish Service Life"
Joint Coatings/Forest Products Committee Chairman: Sam Williams - USDA Forest Products Laboratory, Madison, WI 1-608-231-9412 George Daisey, Rohm & Haas Company, Springhouse, PA Charles Jourdain, California Redwood Association, Novato, CA Robert Springate, Tru-Serv Manufacturing, Chicago, IL

Table of Contents


Abstract..........(Return to Table of Contents)

Wood is a biological material having widely different properties depending on species, geographic area where the tree grows, the growth conditions, size of the tree at harvest, sawing, and other manufacturing processes. Some of the more important wood properties as they relate to wood finishing are discussed. These properties include growth rate, density, knots, extractives, juvenile wood, grain orientation, and weathering characteristics.

Introduction..........(Return to Table of Contents)

Current knowledge on wood properties has been learned through decades of research in laboratories located in many parts of the world and is contained in a number of publications (1-7). Much of this knowledge, particularly information on North American wood species is summarized in the Wood Handbook: Wood as an Engineering Material (8). Detailed information on wood properties that relate to wood finishing are contained in Chapter 16 of this publication, in Finishes for Exterior Wood (9), and a monograph by Feist (10). The benchmark research conducted by Browne (11) during the 1950's and 60's is still valid and stands out as the authoritative work documenting the effect of wood properties on finish performance, particularly oil-based film-forming finishes. Detailed information on wood properties is contained in these publications. Those wood properties that have the greatest effect on finish performance, particularly the properties of the lumber available from today's forests are discussed herein.

Although dramatic changes have occurred to both the country's timber base (12) and to exterior wood finish formulations since that time, the link between finish performance and wood properties has not changed. It is the change in species mix, the dependence on small fast-grown second and third growth timber and the more widespread use of wood composites to meet lumber demands that causes changes in finishing practices, not any inherent changes in wood properties. Smaller diameter, more rapidly grown trees yield higher percentages of flat grain lumber containing knots and other natural characteristics including sapwood. The ways that these changes affect finishing practices are discussed in another publication (13). An overview of wood properties is contained herein. Wood that has been chemically treated (preservatives, fire retardants, and bulking agents) and wood composites (plywood, flakeboard, and fiberboard) do not usually have the same properties as the original wood. The properties of these wood-based materials will be the subject of an additional publication.

Natural Characteristics..........(Return to Table of Contents)

Growth Rate
In temperate climates, tree species add one growth increment or ring to their diameter each year (Figure 1). This ring shows two distinct periods of growth and therefore two bands, called earlywood (springwood) and latewood (summerwood). Latewood is denser, harder, smoother, and darker than earlywood, and its cells have thicker walls and smaller cavities. The proportion of earlywood to latewood, the density differences, and the transition from the less dense earlywood to the more dense latewood during the growing season can vary, depending on species and growing conditions. Many species have a rather gradual change in density during the growing season. Some species, have rather narrow latewood bands; others have wide latewood bands. For some species the density differences are not very great; others have large differences in density between the latewood and earlywood. However, for all temperate species, the change in density from the end of one growing season to the beginning of the next is always abrupt. If the difference is large, the stresses induced to a coating system, can be quite large when dimensional changes occur at this transition zone. This abrupt transition in wood density also causes differences in properties for the pith-side and bark-side of flat-grained lumber. The dimensional changes at the latewood/earlywood interface can cause cracks in film-forming finishes at this zone. Paint failure on latewood often begins with these cracks. If the bands of latewood are narrow enough, as in slow growth trees, the stresses are decreased and there is less tendency for paint to crack or peel than on the wide latewood bands. Wide latewood bands are normally absent from edge-grained cedar and redwood, improving the paintability of these species. It has been well established that wide latewood bands in wood give a surface that is difficult to finish (Figure 2). However, they are prominent in southern yellow pine and Douglas-fir, two of the most common species used for general construction and for the production of plywood. Coarse grain (i.e., wide annual growth rings of alternating earlywood and latewood) is a natural result of the rapid growth rate experienced by young growth forests under the optimal growing conditions of intensive silviculture. On the other hand, growth rate does not seem to significantly affect the ability of hardwoods to retain a film-forming finish. They are generally more difficult to finish than softwoods (Table 1). Table 1--Characteristics of selected solid woods for painting and finishing. Editors, Please see Table 2. Monograph by W.C. Feist.

Paint performance on hardwoods, such as oak, is more a function of density and the size and placement of vessels rather than distinctions between earlywood and latewood (Figure 3). These vessels are common to only hardwoods and are sometimes much larger than the surrounding wood cells. They give added texture to the wood and sometimes make it more difficult to finish these species.

Density
The density of wood is one of the most important factors that affect finishing characteristics. Density varies tremendously from species to species (Table 1), and it is important because higher density woods shrink and swell more than do lower density woods. This dimensional change occurs as wood, particularly in exterior applications, gains or loses moisture with changes in the relative humidity and from periodic wetting caused by rain and dew. Excessive dimensional change in wood stresses film-forming finishes and may cause cracking and/or flaking.

The amount of warping and checking that occurs as wood changes dimensions and during the natural weathering process is also directly related to wood density. Cupping is probably the most common form of warp for siding. Cupping is the distortion of a board that causes a deviation from flatness across the width of the piece. Wide boards cup more than do narrow boards and flat-grained boards cup more than vertical-grained boards. Boards may also bow, crook, or twist from one end to the other. Warping is generally caused by uneven shrinking or swelling within the board. Furthermore, checks or small cracks along the grain may develop from stress set up during the initial drying (shrinking) or from stresses caused by the alternate shrinking and swelling during service. High density (heavy) woods such as southern pine, Douglas-fir, and oak tend to warp and check more than do the low density (light) woods such as redwood and western red cedar (Table 1).

Knots
A knot is that portion of a branch that has become incorporated in the stem of a tree (Figure 4). The influence of knots on the finishing properties of lumber depends on their size, location, shape and soundness. When sawing lumber from a log, a nearly round shaped knot results when a branch is sawn through at right angles to its length as in flat grain lumber. Vertical grain lumber may have spike knots which result from sawing a branch lengthwise (Figure 5). Oval knots will result from sawing a branch diagonally as in lumber that is intermediate between flat grain and vertical grain. Knots are further classified as intergrown or encased. Intergrown or tight knots result from the growth of the stemwood around a living branch. After a branch has died, additional growth on the stem encloses the dead limb. This results in an encased knot where the fibers of the stem are not continuous with the fibers of the branch. Because shrinkage is greater across the knot than in the surrounding wood, encased knots may loosen and fall out causing a knot-hole (Figure 5). Encased knots often have bark surrounding the knot, which may cause additional discoloration problems with light-colored finishes (14).

Knots are usually considered defects in wood for a number of reasons. The wood of the knot itself is different in density (usually higher), and its grain orientation is more or less perpendicular to the surrounding wood. The lack of grain orientation around knots may affect machining properties to the point where it is difficult to achieve an acceptable machined finish on the surface of the wood. For structural lumber, the size and location of knots are one of the factors that determine grade and thus its design values. Knots also affect the grade for appearance grades of lumber, which include siding and trim. While usually considered defects, a number of species and grades that exhibit knots with some degree of regularity such as knotty pine, select tight knot (STK) cedar and rustic grades of redwood have been successfully marketed to feature their knots.

From the standpoint of finishing, knotty grades of siding are more adapted for natural finishes such as water repellent preservatives and semi-transparent stains than for paint systems. Paint adhesion is poor over dense knots, and resin bleeding of knots can discolor most paints unless they are sealed with shellac or a similar product prior to priming.

Moisture Content
The moisture content of wood is the amount of water contained in the wood. Moisture content includes both water absorbed into the wood cell wall and free water within the hollow center of the cell, and it is expressed as a weight percentage.

MC (%) = Mass (undried) - Mass (oven dried) X 100 / Mass (oven dried)

The amount of water that wood can absorb (that is, that can be bound in the cell wall) depends on the wood species; most species can absorb about 30% water. This limit to the amount of water that can be bound in the wood cell wall is called the fiber saturation point. Wood can reach the fiber saturation point by absorbing either liquid water or water vapor. The amount of water vapor that can be absorbed depends primarily on the relative humidity (RH) of the surrounding air. If wood is stored at 0 % RH, the moisture content will eventually reach 0%. If wood is stored at 100% RH, it will eventually reach fiber saturation (about 30% water). Of course, if it is kept at a constant RH between these two extremes, the wood will reach a moisture content between 0% and 30%. The RH controls the moisture content, and when the moisture content is in balance with the RH, the wood is at its equilibrium moisture content. This rarely happens because as the RH changes so does the moisture content of the wood, and atmospheric RH is almost always changing. It varies through daily and seasonal cycles, thus driving the moisture content of wood through daily and seasonal cycles. Equilibrium moisture content cannot be changed through the application of finishes. Finishes affect only the rate at which absorption occurs. Finishes can decrease daily and seasonal moisture absorption and desorption, but they do not change the equilibrium moisture content. Wood exposed outdoors cycles around a moisture content of about 12% in most areas of the United States. In the Southeast, average moisture content can be slightly higher and in the Southwest, the average can be lower (9%). Daily and annual moisture content will vary from these average values. Even in very humid areas, the RH is rarely high enough for long enough to bring the moisture content of wood above 20%. Wood that is warmed by the sun experiences a virtual RH far below the ambient RH. Wood will dry faster and become drier than expected given the ambient RH. This is why checking often occurs on decking boards; the surface is much drier than the rest of the board. Shrinkage of the top portion of the board commensurate with this dryness goes beyond the elastic limit of the wood at the surface and checks form parallel to the grain.

As mentioned, fiber saturation is the greatest amount of water that can be absorbed by wood via water vapor absorption. This absorption is rather slow compared with the moisture changes that can occur through absorption of liquid water. Liquid water can quickly cause the wood to reach fiber saturation, and it is the only way to bring the moisture content of wood above fiber saturation. As wood continues to absorb water above its fiber saturation point, the water is stored in the hollow center of the wood cell. When all the air in the hollow center has been replaced by water, the wood is waterlogged and moisture content can be as high as 200%. The sources and ways by which wood can get wet sometimes seem endless! The result is always the same-poor performance, both of the wood and of the finish.

Water also causes peeling of paint. Even if other factors are involved, water accelerates paint degradation. If the moisture content of the wood exceeds 20% when the wood is painted, the risk of blistering and peeling is increased. Moreover, dark water-soluble extractives in woods like redwood and western red cedar may discolor the paint shortly after it is applied. Fortunately, the moisture content of lumber can be controlled. But all too often, this critical factor is neglected during the construction and finishing processes. It is best to paint wood when its average moisture content is about that expected to prevail during its service life. The moisture content and thus the dimensions of the piece will still fluctuate somewhat, depending on the cyclic changes in atmospheric RH, but the dimensional change will not be excessive. Therefore, film-forming finishes (such as paints) will not be stressed unnecessarily, and service life should be better.

Plywood, particleboard, hardboard, and other wood composites undergo a significant change in moisture content during manufacture. Frequently, the moisture content of these materials is not known and may vary depending on the manufacturing process. To improve the service life of the finish, wood composites should also be conditioned prior to finishing.

Water-Soluble Extractives
In addition to the physical structure and moisture content of wood, wood chemical composition will affect the performance of paints and finishes. Old growth timber is characterized by a high percentage of heartwood. Heartwood contains extraneous compounds such as tannins and other polyphenolics. These compounds, called extractives, impart natural decay and insect resistance to heartwood of several species of wood, such as redwood and the cedars. The presence of water soluble extractives can discolor the surface of paints and finishes and is often referred to as extractive bleeding (15). Although these extractives can cause problems with discoloration of finishes if not sealed with a stain blocking primer, the decay resistance that some of them impart to wood greatly outweighs disadvantages caused by discoloration. The amount of extractives within the heartwood depends on the age of the tree, thus the heartwood of younger trees will naturally have a lower extractive content than that from older trees. Although lumber from these younger trees is less durable than lumber from old-growth trees, extractive bleeding through finishes is less problematic. For clear grades of wood, extractive bleeding can be eliminated with proper priming, good building design, and conscientious construction practices.

Water-Insoluble Extractives
Water insoluble extractives such as pitch and resin may also interfere with the appearance of a painted surface. In some species, small amounts of pitch form in the wood. In other species the pitch can form in large deposits called pitch pockets (large deposits of pitch). If the wood is kiln dried at high temperature, the pitch can be hardened or set in the wood. Specific kiln schedules have been developed for many wood species to accomplish this. Unfortu-nately, some of these schedules can discolor the surface of the wood. If pitch is not set, it can become fluid enough during periods of warm weather to flow to the surface of the wood. If the wood has been painted, the pitch tends to soften and discolor the paint. Young growth knotty siding products that have been air dried rather than kiln dried may be more prone to pitch bleeding. Young growth products will typically have smaller pitch pockets than those found in old growth. Additionally, knots of many softwood species contain an abundance of resin that can sometimes cause paint to turn yellow-brown over the knots. Primers formulated to block water soluble extractives will not block these resins.

The resins in some softwoods sometimes occur in small ducts (Figure 3). Depending on the grain orientation, a large number of these ducts can intersect the surface of the lumber. Paint on these surfaces may be more prone to discolor. If various cuts of lumber ( i.e. grain orientation) are used to make finger-jointed moldings, the discoloration of the various pieces of wood in a particular piece of molding can discolor in varying amounts. This sort of checker-board pattern of discoloration can also occur with waterborne extractives, particularly with finger-jointed western red cedar or redwood.

Weathering
Weathering is the general term used to describe the degradation of materials exposed outdoors. This degradation occurs on the surface of all organic materials, including wood and finishes used on wood such as paints and stains. The process occurs through photo-oxidation of the surface catalyzed by ultraviolet (UV) radiation in sunlight, and it is augmented by other processes such as washing by rain, changes in temperature, changes in moisture content, and abrasion by windblown particles. Although the weathering process can take many forms depending on the exposed material, in general the process begins with a color change, followed by slow erosion (loss of material) from the surface. The surface initially develops slight checking; with some materials, deep cracks may ultimately develop. Weathering is dependent on the chemical makeup of the affected material. Because the surface of a material may be composed of many different chemicals, not all materials on the surface may erode at the same rate.

The surface of wood consists of four types of organic materials: cellulose, hemicellulose, lignin, and extractives. Each of these materials is affected by the weathering process in a different way. The extractives undergo changes upon exposure to sunlight and lighten or darken in color. With some wood species, this color change can take place within minutes of exposure. Changes in the color of the surface are accompanied by other changes that affect the wettability and surface chemistry of the wood. The mechanism of these early changes is not very well understood, but these changes can have a drastic effect on the surface chemistry of wood and, thus, the wood's interaction with other chemicals, such as paint and other finishes and adhesives.

Lignin comprises 20% to 30% of the wood surface. It is a polymeric substance that glues the celluloses together. Because lignin is affected by photodegradation more than are celluloses, lignin degrades and cellulose fibers remain loosely attached to the wood surface. Further weathering causes fibers to be lost from the surface (a process called erosion); but this process is so slow that on the average, only about 6 mm (1/4 in.) of wood is lost in a century ( Figure 6) This erosion rate is slower for most hardwoods. Biological attack of a wood surface by micro-organisms is recognized as a contributing factor to color change or graying of wood. This biological attack, commonly called mildew, does not cause erosion of the surface, but it may cause initial graying or an unsightly dark gray and blotchy appearance. The micro-organisms primarily responsible for gray discoloration of wood are commonly found on weathered wood.

Paint Adhesion to Weathered Wood
Although the erosion of the wood surface through weathering is a slow process, the chemical changes that occur within a few weeks of outdoor exposure can drastically decrease the adhesion of paints subsequently applied to the weathered surface. It is fairly obvious that a badly weathered, powdery wood surface cannot hold paint very well. This fact is not so obvious for wood that has weathered for only 2 to 3 weeks. The wood appears sound and much the same as unexposed wood. However, when boards that had been preweathered for 1, 2, 4, 8, or 16 weeks were painted, the paint had a drastic loss in adhesive strength after 4 weeks of preweathering.(16) Similar results are reported.(17-28) In subsequent studies using similarly preweathered boards, the time until the paint started to peel was directly related to the preweathering time.(29) For panels that had been preweathered for 16 weeks, the paint started to peel within 3 years; for panels preweathered for only 1 week, the paint started to peel after 13 years. Panels that were not preweathered showed no sign of peeling after 13 years. The paint system was a commercial oil-alkyd primer with two acrylic latex top-coats over planed all-heartwood vertical-grained western red cedar.

The best remedy for restoring a weathered wood surface is to sand it with 50- to 80-grit sandpaper. Even if wood has not been weathered, scuff sanding provides a much better surface for painting.

Juvenile Wood
The presence of juvenile wood, which is often characterized by lower density and higher longitudinal shrinkage, is responsible for much of the decrease in strength of young growth timber. Juvenile wood is produced during the early growth and development stages of trees. Much of the warp, crook, and bow in lumber containing the pith or sawn close to the pith is caused by the presence of juvenile wood. Cross-grained cracking of lumber is often a sign of juvenile wood (Figure 7). Because of the younger age and smaller diameter of trees harvested from young growth forests, a higher proportion of the volume in a log consists of juvenile wood. Juvenile wood is particularly problematic in the short rotation (harvested at 20 to 30 years) plantation grown softwoods.

Manufacturing Characteristics..........(Return to Table of Contents)

Grain Orientation
Several properties of flat grain lumber differ from vertical grain lumber, these include: appearance or figure, dimensional stability, potential for grain raising and grain separation and ability to hold film forming finishes. The broad alternating bands of earlywood and latewood that make up the annual growth rings are highly visible on the surface of flat grain lumber. This grain figure is valued for applications such as indoor paneling where maximum natural visible character of the wood is desired. As previously mentioned, in flat grain lumber knots will appear round or oval rather than spike as in vertical grain lumber. Since tangential shrinkage is about twice the rate of radial shrinkage, flat grain lumber can be expected to shrink across its face much more than vertical grain lumber.

Perhaps the greatest difficulty associated with the use of flat grain lumber is the increased potential for grain raising and grain separation (Figure 8). Raised grain, which results in a corrugated appearance on the surface of flat grain lumber, usually occurs when the harder latewood portion of each annual growth ring is projected above the level of the softer earlywood. This usually occurs when dry flat grain lumber is allowed to pick up moisture. When the interface between the latewood and earlywood become loosened, the result is separated grain, also known as loosened grain, shelling, feathering or lifting of the grain. Raised and/or separated grain is much more pronounced on the pith side than on the bark side of flat grain lumber. The primary method of preventing problems with grain separation is to orient the bark side rather than the pith side of the product to the weather. Since grain raising and grain separation can be exacerbated by poor manufacturing practices, closer attention to machine set up and more frequent sharpening of knives and greater attention to quality control procedures are required when surfacing flat grain lumber.

Surface Texture
The effect of surface quality, and texture play an important role in the performance of a finish, and the variables that influence the surface characteristics of the wood are numerous. Rough sawn, sanded, saw-textured, and smooth planed surfaces all influence finishes differently.

Generally speaking, rough sawn and saw-textured surfaces require more finish than smooth planed surfaces and they provide longer lasting performance because more finish must be applied. Rougher surfaces provide more tooth for finish adhesion and actually have much more surface area. These types of surfaces also dramatically decrease grain raising problems associated with flat grain lumber by decreasing grain compression and other damage sometimes caused by planing processes. As the timber resource changes from an old growth to a young growth supply, the ratio of flat grain, to vertical grain is increasing dramatically. For this reason, rough sawn and saw-textured surfaces are being used more frequently in an effort to decrease grain raising, and improve finish performance on flat grain wood products.

The bark side of flat grain products weathers differently than the pith side, therefore, lumber patterns that have an obvious exposed face can be manufactured to leave the bark side exposed. This is referred to as "graining the piece." Some patterns are reversible and in these cases it is up to the installer to grain the piece and apply the product with the bark side exposed. In cases where the specifier knows which face of a pattern will be exposed to weathering, the manufacturer should be notified prior to manufacturing so that the pattern can be grained and manufactured properly. Graining solid sawn lumber is a common practice that can be done by an experienced planer or molder operator. This practice, however, is not always practical when manufacturing finger-jointed lumber, and the chances of encountering grain raising and the associated finish problems may be higher for these products. For this reason, the use of saw-textured patterns is especially important with finger-jointed wood substrates.

Recent studies have shown that sanded surfaces may provide improved finish performance and durability. Sanding with 50-80 grit sandpaper not only cleans the surface by removing dirt, oil and other contaminants, but it also roughens the surface slightly and removes raised grain. The abrasion of the surface is particularly important on the latewood portion of the growth rings where the wood is more dense and more difficult to attain finish adhesion. Sanding helps prepare this portion of the wood. Under magnification, sanded surfaces emulate characteristics similar to saw-textured surfaces but to a lessor degree. More surface area is exposed in the sanding process creating better conditions for finish adhesion.

Moisture Content and Drying
Significant regional geographic differences exist in lumber drying practices resulting from species mix, building practices and climate throughout North America. Wood products are available green (unseasoned), S-Dry (Surfaced-Dry, 19% or less moisture content) or kiln dried (typically 10% to 15% moisture content). Only dimension and finish lumber two inches and thinner in nominal thickness may be available S-Dry or kiln dried. Larger dimensions of solid sawn lumber should be assumed to be green. Higher grades of lumber such as those used for architectural finish are normally kiln dried. Common grades of lumber may be available S-Dry and less frequently kiln dried.

Wood moisture content is one of the most critical factors governing the performance of paints and other film-forming finishes. Typically, paints and other surface coatings can not be successfully applied to wood that has a surface moisture content in excess of approximately 20%. If the moisture content is too high, continued movement of this moisture out of the wood may result in extractive bleeding and in blistering and peeling of film-forming finishes. For best results, the wood should be at a moisture content typical of what it will have during its service; for most areas of the United States and Canada, this is about 12%. Penetrating finishes such as water repellent preservatives and semi-transparent stains may be applied to products that have a dry surface but which still may contain a high enough internal or core moisture content to be considered green. Since penetrating finishes do not block moisture movement, they allow the wood to dry and yet do not blister or peel.

Lumber manufacturing can also have an effect on the overall performance of a coating on wood. As previously discussed, proper drying plays an important role in producing a wood product that will be both dimensionally stable and favorable towards better finish durability. Proper kiln drying provides the best situation for wood as it creates a balanced piece of lumber that has an even moisture content throughout the piece. Kiln dried lumber has less tendency to shrink or warp, but the most important characteristic from the standpoint of finishing is that kiln dried lumber develops less surface checking. Paint applications are especially susceptible to performance failures when surface checking of the wood substrate occurs. These checks initiate cracking and peeling of the coating. Kiln drying dramatically decreases this condition.

Air-seasoned or S-Dry lumber will also provide a better substrate for finishing than green lumber. These partially dried products may not, however, give the same quality of finish performance as kiln dried lumber. While some of the moisture has been removed in S-Dry and air-seasoned lumber, a percentage of excess moisture is still present in the wood and this can be detrimental to film forming finishes such as paint. Partially dried products offer dried surfaces that are satisfactory for applying penetrating finishes such as water repellents and semi-transparent stains.

Green lumber is generally not suitable for immediate finishing with paint or other film forming finishes. Green lumber can be used in situations where penetrating stains and finishes will be applied, but the wood surface must first be allowed to dry sufficiently to accept the finish. This can usually be accomplished during a few days of dry weather. Other problems associated with the use of green lumber products include the natural shrinkage, which occurs as these products acclimate to the ambient conditions. Checks, splits and warping may occur from rapid, uneven shrinkage of lumber. Using higher grades of lumber can minimize these characteristics.

Performance Expectations
Unlike building materials such as steel and masonry, wood is a biological product. As such, individual pieces vary more in appearance, properties and performance. The life expectancy of a lumber product is related to a number of direct and indirect factors. Direct factors include the properties of a particular species, the characteristics of the grade, and the quality of manufacture. Indirect factors include how the product is used after it has left the manufacturing facility. These indirect factors include: handling, storage, installation and maintenance. Siding is but a single component of a building. Its performance depends on many critical factors including climate, the design of the structure, the skill of the trade-person doing the installation, the interaction with other materials such as fasteners, flashing, sheathing, and house-wrap or felt.

Under ideal conditions, wood can have an almost indefinite service life. As a rule of thumb, most low rise residential structures are designed and built with an intended service life of 100 years. It is assumed that after 50 years the structure will require extensive renovation that will include the replacement of the exterior cladding. A service life for exterior wood siding on the order of 50 to 100 years is, therefore, generally considered acceptable. The National Association of Home Builders (NAHB) (30) gives a life expectancy for wood siding of only 10 years if constantly moistened, but up to 100 years if properly maintained. Keeping wood and wood products dry is essential for long term (centuries) service life. The 100 year service life is easily obtained if the wood is kept dry and maintained with a finish. There are many examples of wood siding lasting over 200 years, for example, the siding on Mount Vernon and numerous other historic structures throughout the east coast of the USA.

Wood buildings, properly designed to shed exterior water and to avoid trapping moisture from interior sources routinely give service lives of much longer than 100 years. This is particularly true if the wood is maintained with a paint finish. The roof of the building protects the wood from much of the water. The finish stops the weathering of the wood's surface because the pigments in the paint completely block the ultraviolet (UV) radiation in sunlight, which is the radiation that catalyzes the degradation of the wood. The paint itself undergoes UV degradation and a paint system comprised of a primer and two top coats lasts about 10 years in full sunlight. During this time, the top coats erode and when the primer begins to show, the surface should be repainted. By keeping an intact paint film on wood, the wood's surface can be protected indefinitely.

Wood used in exterior landscaping projects such as decks and fences is generally considered to have a much shorter expected service life. There are a number of reasons for this. Decks and fences are often in direct ground contact or in very close proximity to the ground. This results in a higher risk for termite and wood decay fungus infestations. The horizontal exposure of decks results in a much higher degree of weathering from UV radiation, precipitation, and other elements. Decks are also directly exposed to the wear from foot traffic. For preservative- treated wood, the service life is often determined by the weathering of the decking boards. The NAHB estimates the life expectancy of wood decks and fences to be 15 years and 12 years, respectively (30). We consider these life expectancies to be conservative. There are many examples of decks and fences lasting much longer when properly designed, constructed and maintained. We believe that a reasonable expectation of service life for these and other types of wood landscaping structures to be 20 to 25 years.

Summary and Conclusions..........(Return to Table of Contents)

Of the vast array of wood properties that affect the performance of finishes for wood, several stand out as having a major effect on long-term service life of finishes. The growth rate and the grain pattern that results from the growth rate, particularly the relative width and densities of the earlywood and latewood, affect the dimensional stability and thus the amount of stress at the wood/coating interphase. Coatings systems lacking sufficient flexibility can crack as a result of these stresses. The grain orientation of lumber is affected by the way it is cut from a log. Flat-grained surfaces are much more difficult to finish than are vertical-grained surfaces. High density of some wood species and/or the latewood of some species have rather poor paint adhesion properties. The extremely high longitudinal dimensional changes of juvenile wood can often cause cross-grained cracking of wood with resulting cracking of film-forming finishes. Water soluble extractives and water insoluble resins must be blocked by a primer or suitable sealer to avoid discoloration. This is particularly problematic of knots, which often contain large concentrations of both water soluble and insoluble compounds. Through understanding the properties of wood and using finish systems compatible with these properties on well designed and constructed buildings, painted wood can last for centuries.

References..........(Return to Table of Contents)

1) Browning, B.L. 1964. The Wood-Water Relationship. In:Browning, B.L., ed: The Chemistry of Wood. London: Interscience. 1963.Buckley, D.G. Absorption of Water-Repellent Wood Preservatives in Swedish Redwood Timber. TRADA Research Report C/RR/21.
2) Kollmann, F.F.P. and W.A. Côté. 1968. Principles of Wood Science and Technology, Vol. 1, Solid Wood. Springer-Verlag New York Inc.
3) Miniutti, V.P., E.A. Mraz, and J.M. Black. 1961. Measuring the Effectiveness of Water-Repellent Preservatives. Forest Products J. 11(10):453-462.
4) Siau, J.F. 1984. Transport Processes in Wood. Springer-Verlag. New York, NY.
5) Siau, J.F. 1971. Flow in Wood. Syracuse University Press, Syracuse, NY.
6) Skaar, C. 1972. Water in Wood, Chapter 3. Syracuse University Press, Syracuse, NY
7) Stamm, A.J. 1964b. Wood and Cellulose Science. Ronald Press, New York.
8) Forest Products Laboratory. 1987. Wood handbook: Wood as an Engineering Material. Agriculture Handbook 72. USDA, Washington, D.C.
9) Williams, R.S., M.T. Knaebe, and W.C. Feist. 1996. Finishes for Exterior Wood. Forest Products Society, Madison, WI. 125 pp
10) Feist, W.C. monograph
11) Browne, F.L. 1951. Wood Properties That Affect Paint Performance. USDA Forest Service. FPL Report No. R1053.
12) MacCleery, D.W. 1992. American Forests: A History of Resiliency and Recovery. USDA Forest Service. FS-540.
13) Jourdain, C.J., J. Dwyer, K. Kersell, D. Mall, K. McClelland, R. Springate, and S. Williams. 1999 Changing Nature of Wood Products-What Does it Mean for Coatings and Finish Performance. J. Coatings Tech. 71(890):61-66.
14) Levitin, N. 1962. Extractives of Red and White Pine and Their Effect on Painted Lumber. Timber of Canada, June:66-71.
15) Donegan, V., et. al. Understanding Extractive Bleeding. Joint Coatings/Forest Products Committee. California Redwood Association, Novato, CA.
16) Williams, R.S., J.E. Winandy, and W.C. Feist. Paint Adhesion to Weathered Wood. J. Coatings Tech. 59(749):43-49, 1987.
17) Williams, R.S., Plantinga, P.L., and Feist, W.C., "Photodegradation of Wood Affects Paint Adhesion," Forest Prod. J., 40, No. 1, 45 (1990).
18) Arnold, A., Feist, W.C., and Williams, R.S., "Effect of Weathering of New Wood on the Subsequent Performance of Semitransparent Stains," Forest Prod. J., 42, No. 3, 10 (1992).
19) Williams, R.S. and Feist, W.C., "Effect of Preweathering, Surface Roughness, and Wood Species on the Performance of Paint and Stains," JOURNAL OF COATINGS TECHNOLOGY, 66, No. 828, 109 (1994).
20) Evans, P.D., Thay, P.D., and Schmalzl, K.J., "Degradation of Wood Surfaces During Natural Weathering. Effects on Lignin and Cellulose and on the Adhesion of Acrylic Primers," Wood Sci. Technol., 30, No. 6, 411 (1996).
21) Underhaug, Å., Lund, T.J., and Kleive, K., "Wood Protection-The Interaction Between Substrate and the Influence on Durability," J. Oil & Colour Chemists' Assoc., 66(11), 345 (1983).
22) Miller, E.R., "Chemical Aspects of External Coatings for Softwoods," Symposium on Chem. Aspects of Wood Tech., Swedish Forest Prod. Res. Lab., Södergam, Stockholm, Sweden, 1981.
23) Bravery, A.F. and Miller, E.R., "The Role of Pre-treatment in the Finishing of Exterior Softwood," Proc. of the Ann. Conv. of the British Wood Pres. Assoc., 1980, p. 14-23.
24) Boxall, J., "Painting Weathered Timber," Information Sheet 20/77. Building Research Establishment, Princes Risborough Laboratory, Alyesbury, Bucks, England, 1977.
25) Shurr, G.G., "Proper Coatings for Wood Exteriors," Am. Painting Contractor, 12, 18 (1969).
26) Desai, R.L., "Coating Adhesion to Weathered Wood," Eastern Forest Products Laboratory, Ottawa, Canada, Bi-monthly Research Notes, 23(5), 36-37 (1967).
27) Kleive, K., "Weathered Wooden Surfaces-Their Influence on the Durability of Coating Systems," JOURNAL OF COATINGS TECHNOLOGY, 58, No. 740, 39 (1986).
28) Richter, K., Feist, W.C., and Knaebe, M.T., "The Effect of Surface Roughness on the Performance of Finishes. Part 1. Roughness Characterization and Stain Performance," Forest Prod. J. 45, No. 7/8, 91 (1995).
29) Williams, R.S. unpublished data
30) National Association of Home Builders. 1997 Housing Facts, Figures and Trends. NAHB, Washington, D.C.

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